Alaska Photography Blog: "Fur Rendezvous"
“Capturing Alaska”
with Wayde Carroll
Fur Rendezvous
Back in 1935 Vern Johnson and a group of his friends decided that Anchorage was in sore need of some distraction from the long Alaska winters. They decided to start a festival that would coincide with the time of year that miners and trappers were bringing in their winters’ yields. They dubbed the new event the “Fur Rendezvous” to pay homage to the fur trade, which was Alaska’s third largest industry at the time.
Thankfully, tradition reigns in modern day Anchorage and the “Fur Rondy” continues bigger than ever. There is a plethora of events and characters to keep a photographer busy. I love it because it really gives me a chance to utilize a wide variety of lenses and techniques and hone my reaction skills. Weather I’m shooting the World Championship Sled Dog Race, snowshoe softball, the Running of the Reindeer, the Outhouse Races, the carnival, blanket toss, or the numerous fur-clad persona at the auctions, I’m able to practice my craft non-stop. Wide angle, telephoto, portraits, fast action, details, story telling, the Rondy has it all.
I highly recommend grabbing your camera and going crazy at this wonderful festival. Bring lots of memory cards, and batteries (it can be very cold, though this year’s opening weekend was quite warm-in the 40’s), and be ready to shoot away!
During events like this I advise that you sit down and make a plan of action. Break out the schedule of events and write your own list of times and locations. Sometimes I get so caught up in one event that I forget about something I really wanted to get to! Also, if you’re blatantly taking photos of a particular person it’s always wise to get their permission first. Don’t give up if someone says no, there are plenty of people that will say yes.
It’s a great feeling when, at the end of the day, I look back at all the interesting people I’ve met, and unique events I’ve gotten to witness, all in the name of photography.
Alaska Photography Blog:
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Capturing Alaska
with Wayde Carroll
Focus on Flora
OK, so it’s the dead of winter and there’s not a wide variety of flora to be found, maybe that’s why this topic is so appealing right now. I’m really looking forward to the long days and wild plant growth that come rapidly during the short Alaskan summer. Right now we have about nine hours of daylight and are gaining about six minutes per day. It’s starting to feel as though spring may actually come!
No matter what I’m out shooting I always seem to end up with some images of the local plant life. There is such an endless variety of natural patterns, textures, colors, and shapes that it’s impossible not to be excited over and over again.
As with any other subject matter, lighting plays a key role in capturing interesting flora images.
Here are a few examples in different situations.
In image #1, it was a very overcast day. This is actually beneficial in this specialty in that the sky then acts as a giant soft box spreading diffuse light over the subject. This eliminates harsh shadows and saturates colors. To add to the diffuse effect I shot this fireweed through several other fireweed. Because I used a wide open aperture on my 200mm lens I kept a minimum amount of the image in focus and was able to completely blur the blooms directly in front of my lens. This gave the image a nice soft quality.
For image #2 I used backlighting. It was a very sunny afternoon in the Chugach National Forest. I was struggling to find any pleasing images that conveyed what I saw in this dense, lush forest. The direct sunlight coming through the trees made for a very contrasty scene. This would have been an ideal situation for the diffuse light of an overcast sky, but, alas, not this day.
I started to explore my options and as I got down low for a new perspective I noticed the sunlight back- lighting the leaves of the devils club, which is abundant here. This was perfect! I was able to find a composition that highlighted the dense undergrowth as well as show the forest setting in the background.
Image #3 was taken on a drizzly, overcast, day in Denali. I was hoping to get the quintessential image of Denali mirrored in Wonder Lake but with the inclement weather I started to look towards the ground. In the tundra there are endless fascinating miniature plants. I was particularly drawn to the mushrooms. I took some images but there was no spark to them. I finally took out a gold reflector and bounced this warm light onto the scene. That was more like it!
In image #4 I obviously used silhouettes to define the grasses around Wonder Lake. This is another use of backlighting. For this technique, set your camera on manual exposure. Achieve a correct exposure for the bright evening sky and your subject, which is in shade, will be rendered as a silhouette.
By keeping your eye open to the various lighting possibilities such as backlighting, diffuse light, and reflected light you can usually create nice images in almost any situation.
Don’t be afraid to experiment by adding light with your flash either!
Alaska Photography Blog: "Unexpected Gift!"
Capturing Alaska
with Wayde Carroll
Unexpected Gift!
The other morning I was heading out to run some errands. Photography was the last thing on my mind. I was going over my to-do list in my head: get coffee, drop off books at the library etc. etc. It was cold, around five degrees, so I was in a hurry to get to the car. As I turned to lock the front door behind me I caught some motion out of the corner of my eye. I looked towards the side of our home where we have a nice sized Mountain Ash tree and was pleasantly shocked to see it full of Bohemian Waxwings gobbling the dried berries that remained from summer. There were at least fifty birds hopping from limb to limb. Some looked lean and healthy while some were positively obese from gorging themselves!
They didn’t seem too worried about me so I excitedly snuck back in the house and got my camera set up for some wildlife photography in my own front yard! I slapped a 70-200mm F4 lens onto my Canon 20D, which basically gave me a 300mm lens due to the fact that the CMOS sensor in this camera is smaller than a frame of 35mm film.
I knew I wanted a fast shutter speed so I could hand- hold the camera while shooting and to try and freeze the birds in motion. I set the aperture wide open at F4 and the ISO to 400. This allowed me to shoot at 1/500th of a second and I was able to get plenty of sharp images. The wide-open aperture also gave me a shallow depth of field, which helped to isolate the birds from the cluttered background of branches.
I forgot to grab my gloves when I grabbed the gear and my hands became quite cold but I was afraid to go back in and frighten the birds away. It was a good decision. After about ten minutes of shooting the Bohemian Waxwings took off as a group, leaving scant few berries in their wake, but one extremely lucky photographer. What a thrill it was to spend such intimate time with these surprise visitors. It’s nice to know that every once in a while good things are just handed to you!
Photography Blog: Aerial Photography Tips
Capturing Alaska
with Wayde Carroll
Aerial Photography Tips
Because Alaska is such an enormous state and has such a relatively small road system, many people choose flight-seeing trips as a way to see as much as possible in a short amount of time.
This is a fantastic way to get a sense of the grand scale and diversity of the Alaskan landscape weather you are on a flight-seeing tour or just on your way to your favorite fishing destination. It is also great for those who are unable, or unwilling, to get out and explore mile after mile on foot.
Here are some things to think about while photographing from the air:
- I always have all my gear ready to go before I board the plane so I’m not fiddling about while confined in my seat belt etc. I either have two cameras set up, one for wide angle shots, and one for telephoto, or I have one body with the second lens easily reachable on my lap.
-Ask for a seat away from the wing if possible. Having to work around this large triangular shape is a real pain! Look for a clean, scratch-free window as well.
- I keep a UV filter and a polarizing filter in my shirt pocket just in case there is a bit of haze in the air or I want to cut down on reflections. Remember that these filters will cut your exposure time down by one half to two stops. If you have a choice, photographically it’s best to avoid really hazy days. It’s impossible to completely cut it out and will drop the quality of your images drastically.
- Set your ISO (film speed) to a rating that will allow for very fast shutter speeds. The images shown here were taken at 1/2000th and 1/3200th of a second. ISO 400 is a good place to start. On top of allowing for hand holding your camera you’ve got to allow for the extreme vibration of your aircraft!
- I tend to set my white balance to “shade”. It’s not unusual to get a blue cast to your images caused from the atmosphere and sometimes the color cast of your window, and this setting will help “warm up” the colors.
- Constantly pay attention to reflections on the window in front of you. Often you pay so much attention to the view below that you can miss your own reflection on the window. The camera won’t miss it! Shoot as close to the window as possible. Sometimes your hand or a cap can eliminate the unwanted reflection.
- Turn off your flash! This will add the reflection we’re trying so hard to avoid.
- Don’t forget to shoot verticals as well as horizontals. These really give a sense of distance and depth.
- Dress for a much cooler environment. The temperature drops considerably when you climb up to 20,000 ft. plus above Denali! I like to wear a pair of thin cotton gloves to keep my hands functional and warm enough.
- If your really serious about getting great images from the air, sometimes, you can negotiate with your air service ahead of time and pre-arrange the front seat in an aircraft that has windows you can open and photograph out of. This is the ideal way to eliminate window reflection and window color-casts. If you’re lucky enough to arrange this make sure your camera is strapped securely around your neck and don’t hold it much past the window ledge. You’ll have a rude awakening as the powerful wind tries to rip it out of your hands! The gloves really come in handy here. It’s cold out there!
-Bring plenty of image storage. When those stunning moments occur you want to have enough memory to capture them.
- If you still end up with grossly blue cast images you can remove the excessive cyan in Photoshop or similar photo processing software.
- Lastly, climb a mountain! Even if you’re still on the ground, a high vantage point can give you the same results as a good aerial photo. The third image here was taken from atop a mountain behind the Eilson Visitor’s Center.
Happy flying!
Photography Blog: Beluga Whales
Capturing
With Wayde Carroll
Beluga Whales
(Delphinapterus leucas)
Last summer my family and I were lucky enough to spend some
time in
I was particularly
thrilled to get a close up view of these whales because there is a small
population in our own
All of us were transfixed with the glowing forms gracefully maneuvering around their realistic appearing habitat. We returned to their area several times throughout the day.
Thankfully I had my Canon 5D and was able to capture many wonderful images. Because the camera’s noise is much improved in the higher ISO’s (film speeds), I was able to shoot at ISO 800, which allowed a fast enough shutter speed to (occasionally) freeze the action. I set the camera to its “tracking” focusing mode and my drive to “continuous” so I could shoot several frames in rapid succession.
If I didn’t have a couple of beautiful kids tugging at me to get over to the hands on tide pool display I would have shot for hours- or at least until my storage ran out!
What makes the photos particularly relevant right now is that the Cook Inlet Beluga Whales are under consideration to be added to the Endangered Species List. This group was numbered around 1300 in the early eighties but is now down to around 300. There are studies in process to decide their status.
Once again it was
proven to me that I should always have my camera because you just never know
when a great photo opportunity will arise. I can tell you I never, ever,
dreamed I’d be capturing great “

















